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Artists on the Lam

Championing local artists
Founded in 2011
Channeling global perspectives
Championing local artists. Channeling global perspectives.

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Artists on the Lam

  • Zine
  • Collect
  • About
  • Exhibitions
    • Upcoming & Current
    • LAMINATOR Vol. 2
    • LAMINATOR Vol. 1
    • HYGGE
    • SLAYSIAN 2.0
    • DECAHEDRON
    • SLAYSIAN 1.0
    • LEXICON
    • I CAN DO THAT
    • Exquisite Corpse
    • More Exhibitions
  • Press
    • Recent Select Press Coverage
    • More Press
  • Photography
  • Dreams
    • Info
    • All mapped Chicago dreams 2012-now
    • All mapped Manhattan dreams 2008-9
  • Services
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Yuqing Zhu - 3 - Rouge Rogue - 12 x 18.jpg

Yuqing Zhu

My name is Yuqing Zhu. I am an American artist of Chinese and Mongolian heritage, named after a mythological flood-tamer of the Yangtze river. I am also a neuroscientist. I study the computations involved in perception of the visual world. Perception is an active process – in every moment, what we see is an imposition of what we wish to see. It is also heavily shaped by past experiences. I create self portrait collages as a means of constructing a personal mythology based upon my past, my present vision, and my hopes for the future. In the absence of forthright dialogue with one’s heritage, as has been the case in my life, personal history takes on a myth-building quality. Real events, ornamentation, convenient falsehoods, and Chinese and Mongolian fables are cut-and-pasted together into sometimes surreal, sometimes hyperreal scenes in my artwork. They compose the truest story I can tell.

yqzhu.com, @papriqa_

Yuqing Zhu

My name is Yuqing Zhu. I am an American artist of Chinese and Mongolian heritage, named after a mythological flood-tamer of the Yangtze river. I am also a neuroscientist. I study the computations involved in perception of the visual world. Perception is an active process – in every moment, what we see is an imposition of what we wish to see. It is also heavily shaped by past experiences. I create self portrait collages as a means of constructing a personal mythology based upon my past, my present vision, and my hopes for the future. In the absence of forthright dialogue with one’s heritage, as has been the case in my life, personal history takes on a myth-building quality. Real events, ornamentation, convenient falsehoods, and Chinese and Mongolian fables are cut-and-pasted together into sometimes surreal, sometimes hyperreal scenes in my artwork. They compose the truest story I can tell.

yqzhu.com, @papriqa_

Hou Yi in the Time of Ten Suns

Hou Yi in the Time of Ten Suns

graphite, pastel, and paper, 19 x 28 in.

Rouge/Rogue

Rouge/Rogue

graphite, pastel, and paper, 11 x 18 in.

Phylum Mollusca

Phylum Mollusca

graphite and paper, 6 x 8.5 in.

Marbled

Marbled

graphite, colored pencil, and paper, 6 x 8.5 in.

Tarvaa, Horsehead Fabler

Tarvaa, Horsehead Fabler

graphite, pastel, and paper, 19 x 26 in.

Neon Goddess Nezha, Vanquisher of the Dragon King of the Eastern Sea, Trips in Her New Boots, Thereby Dropping Her Third Lotus Head, Pearls, and Glorious White Stetson into the Hole in the Universe

Neon Goddess Nezha, Vanquisher of the Dragon King of the Eastern Sea, Trips in Her New Boots, Thereby Dropping Her Third Lotus Head, Pearls, and Glorious White Stetson into the Hole in the Universe

graphite, pastel, pen, and paper, 19 x 26 in.

(bonus—digital exclusive) Patron Saint of the Precession of Poetry, with Encounter at the Blanik Knight

(bonus—digital exclusive) Patron Saint of the Precession of Poetry, with Encounter at the Blanik Knight

graphite, pastel, and paper, 19 x 25 in.

(bonus—digital exclusive) Celadon, Porcelain

(bonus—digital exclusive) Celadon, Porcelain

graphite, colored pencil, and paper, 6 x 8.5 in.

(bonus—digital exclusive) Forest for the Trees

(bonus—digital exclusive) Forest for the Trees

graphite, pastel, and paper, 6 x 9 in.

 

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